The evolution of the bronze art from Yin to the Western Zhou Dynasty

Be seen that the correct choice of materials and reasonable use is an important part of the bronze sculpture design. The Chinese bronze prevails in the late Neolithic to late Han Dynasty. The second handling of the bronze sculpture home through deconstruction, reconstruction, etc. art modeling tools, stripping the functional properties of the materials to make it revert to its original state when the material often can be used as the basic elements of interpretation, through The new round of artistic creation. Give the material new semantics, so as to achieve a breakthrough to the traditional habit of thinking, to stimulate the process of interpretation of the new people a purpose. The moral of a lot of work is implicit in this new round in the interpretation process.
This is necessary to find a balance between art and business environment. Public-public bronze sculpture in the business environment hygiene requirements that it the possibility of dialogue with the social groups in the business environment, that is, the public can resort to the language of art and display form to be communication. For instance, the bronze in the states of Central Plains were simple but elegant. The works of aesthetic value and social function is the result of the role of the two creators of the works and to appreciate the sense of receiving. Cultural habits and mental habits of the audience of consumers, artists must face.
Sun Yat-sen monster Figure 3-12 openwork bronze decorative motif of animal fight and rough action performance is the main features of the above analysis of the grassland culture and the arts. Scholars generally believed that the descendants of the Zhongshan white people as nomads Di, into the northern Shaanxi and Shanxi, northwest of their ancestors about AD 8th century. The approach of standard co-model means a set of model of bronze will be destroyed. But only copper tiger is not a replica of the grassland culture, this three-dimensional central China in the 4th century BC bronze sculpture, the original is the topic of the grassland animals fight on a flat metal plate into for 5l cm long and weighs 26 kg a brilliant masterpiece.
A rectangular-shaped bronze(an ancient cooking tripod with three legs) just acted as a steamer with three ears standing on the table.  For example, the villagers of the town of Mountain Eco Bronze Museum, while maintaining the traditional exterior of the building, in its internal kitchen and bathroom transformation achieved is consistent with heritage conservation requirements to improve the living have the effect of health conditions. The feasibility of natural conditions and technical support measures. Soga ecology Bronze Museum development, its most fundamental crux of the constraints of the water. To change Suojia water shortage, the local government to invest more funds to invest in a water diversion project.
As a valuable means of artistic expression, it has been the traditional Chinese art held in high esteem, although in the long development of programmable phase study was the traditional form of language with the “rigid” and “conservative” painting an equal sign, but in contemporary art practice, artists have come to realize that the existence of the “tradition” itself is not wrong. The arts need to tradition is not wrong; people need to learn how to deal with an open mind establish a cooperative relationship between tradition, to learn from the traditional spiritual core and modern creative spirit.” on the revelation of the bronze sculpture style, refers to exclude the pursuit of surface fibrillation, poetic implement to “character, deformation but to melt, penetration, unassuming spirit. Those ritual bronze dragon of utmost aesthetic value are solemn and stable in outside shape.